‘Hany Armanious: Ordinary Mysteries’, The Saturday Paper*
Max Delany, ‘Hany Armanious: Ordinary Mysteries’, The Saturday Paper, 22 November 2025, pp. 20-21, https://www.thesaturdaypaper.com.au/culture/visual-art/2025/11/22/sculptor-hany-armanious
Time Square: Clifford Thompson’s four-dimensional metaphysics *
Max Delany, ‘Time Square: Clifford Thompson’s four-dimensional metaphysics’, for Clifford Thompson: The Rooster King, NAP Contemporary, Mildura, 2025
Unmyth – Mithu Sen: Works and Worlds of Mithu Sen
Max Delany, ‘mOTHERTONGUE’, in Irina Aristarkhova (ed.), Unmyth – Mithu Sen: Works and Worlds of Mithu Sen, Mapin, Ahmedabad, 2024
Tennant Creek Brio: Juparnta Ngattu Minjinypa Iconocrisis
Australian Centre for Contemporary Art, 2024
Texts: Max Delany, Jessica Clarke, Elyse Goldfinch, Shelley McSpedden, Jimmy Frank Jupurrula, Joseph Williams Jungarayi, Tristen Harwood, Dr. Erica Izett, Lévi McLean.
Fires, Forests, and a Flying Grandma: 5 Works by Laure Prouvost *
Max Delany, ‘Fires, Forests, and a Flying Grandma: Max Delany on 5 Works by Laure Prouvost’, Ocula, 30 April 2024, at https://ocula.com/magazine/spotlights/max-delany-on-laure-prouvost-acca/
Mithu Sen: mOTHERTONGUE
Max Delany (ed.), Mithu Sen: mOTHERTONGUE, Australian Centre for Contemporary Art, 2023; with texts by Max Delany, Nancy Adajania, Nikos Papastergiadis, Mithu Sen, Laura Raicovich
Laure Prouvost: H Oma Je
Max Delany, Annika Kristensen and Mona Pouillon (eds.), Laure Prouvost: H Oma Je, Australian Centre for Contemporary Art, 2024; with texts by over 100 contributors
Paul Yore: Word Made Flesh
Max Delany, Devon Ackerman & Paul Yore (eds.), Paul Yore: Word Made Flesh, Art Ink in association with Australian Centre for Contemporary Art, Melbourne, 2022; with texts by Tony Albert, hanna baer, Mikala Dwyer, Daniel Fountain, Helen Hughes, Bruce LaBruce, and an extended interview with Paul Yore by Max Delany
Like a Wheel That Turns: The 2022 Macfarlane Commissions
Max Delany & Annika Kristensen (eds.), Like a Wheel That Turns: The 2022 Macfarlane Commissions, Australian Centre for Contemporary Art, Melbourne, 2022; with texts by Max Delany and Annika Kristensen, Verónica Tello, Lisa Radford, Tristen Harwood, Stephanie Rhea Erevm Mahmood Fazal, June Miskell, Amelia Winata, and Betty Muffler in conversation with Brook Garru Andrew
Who’s Afraid of Public Space?
Max Delany, Miriam Kelly & Annika Kristensen (eds.), Who’s Afraid of Public Space?, Australian Centre for Contemporary Art, Melbourne, 2021–22; with multiple contributors
Experimental Blundering and Embodiment: Fayen d’Evie’s Intersensory Conversations *
Max Delany, ‘Experimental Blundering and Embodiment: Fayen d’Evie’s Intersensory Conversations’, 2021 Adelaide International, Samstag Museum of Art, Adelaide, 2021, pp.11-15, accessible at link above, and see also: https://fayendevie.com/endnote-the-ethical-handling-of-empty-spaces-2021
Yhonnie Scarce: Missile Park
Max Delany, Liz Nowell and Lisa Waup (eds.), Yhonnie Scarce: Missile Park, Australian Centre for Contemporary Art, 2021; with texts by Max Delany, Liz Nowell and Lisa Waup, Natalie Harkin, Daniel Browning, Hannah Presley, Louis Anderson Mokak
Overlapping Magisteria: The 2020 Macfarlane Commissions
Max Delany and Miriam Kelly (eds.), Overlapping Magisteria: The 2020 Macfarlane Commissions, Australian Centre for Contemporary Art, 2020–21; with texts by Max Delany, Miriam Kelly, Robin M Eames, Ellen Greig, Abbra Kotlarczyk, Tim Riley Walsh and Marion Vasseur Raluy
‘From resilience to Sustainability’, Assemble Papers *
Max Delany, ‘From resilience to Sustainability’, Assemble Papers, 8 July 2020
On Vulnerability and Doubt *
Max Delany (ed.), On Vulnerability and Doubt, Australian Centre for Contemporary Art, Melbourne, 2019; with texts by Max Delany, Justin Clemens, Miriam Kelly, Annika Kristensen, Julie Ewington and Amelia Winata
Tom Nicholson: Lines Towards Another
Aileen Burns, Johan Lund and Max Delany, ‘Foreword’, in Amelia Barikin and Helen Hughes (eds.), Tom Nicholson: Lines Towards Another, Sternberg Press, Berlin, 2018, pp.9-11
Mutlu Çerkez: 1988–2065
Max Delany, ‘Between one and another: Companion works and alliances’, in Charlotte Day et al, (eds.), Mutlu Çerkez: 1988–2065, Monash University Museum of Art, Melbourne, 2018, pp.33-38
John Wardle Architects: Somewhere Other
Max Delany, ‘Portals and the framing of Somewhere Other’, in John Wardle Architects: Somewhere Other, Uro Publications, Melbourne, 2018, pp.143-147
The Theatre is Lying: The inaugural Macfarlane Commissions
Max Delany & Annika Kristensen (eds.), The Theatre is Lying, Australian Centre for Contemporary Art, Melbourne 2018; with texts by Max Delany, Annika Kristensen, Sean Anderson, Samuel Forsythe, Matthew Griffin, Sira Pizà Airas and Anne Rutherford
Eva Rothschild: Kosmos *
Max Delany & Annika Kristensen, (eds.), Eva Rothschild: Kosmos, Australian Centre for Contemporary Art, Melbourne 2018
No One is Watching You: Ronnie Van Hout *
Max Delany, ‘Opening address’, No One is Watching You: Ronnie Van Hout, Buxton Contemporary, Melbourne, 2018
Unfinished Business: Perspectives of Art & Feminism *
Max Delany, ‘Unfinished Business’, in Max Delany & Annika Kristensen (eds.), Unfinished Business: Perspectives of Art & Feminism, Australian Centre for Contemporary Art, Melbourne 2017, pp.12-21
Nathaniel Mellors: NGV Triennial 2017 *
Max Delany, ‘The beginning of the end: Nathaniel Mellors, Ourhouse episode – 1: Time’, in Ewan McEoin et. al., (eds.), NGV Triennial 2017, National Gallery of Victoria, Melbourne, 2017, pp.598-605
Claire Lambe: Mother Holding Something Horrific
Max Delany & Annika Kristensen (eds.), Claire Lambe: Mother Holding Something Horrific, Australian Centre for Contemporary Art, Melbourne 2017
Callum Morton: 24 Hours *
Max Delany, ‘Callum Morton: 24 Hours’, 100 Works of the Monash University Collection, Monash University Museum of Art, Melbourne, 2017
Lisa Bellear: Close to You, The Lisa Bellear Picture Show *
Max Delany, ‘Lisa Bellear: Celebrity Snapper and Photographer of Modern Life’, in Virginia Fraser, Destiny Deacon and Kim Kruger (eds.), Lisa Bellear: Close to You, The Lisa Bellear Picture Show, Koori Heritage Trust, Melbourne, 2016, pp.30-33.
Sovereignty *
Max Delany & Paola Balla (eds.), Sovereignty, Australian Centre for Contemporary Art, Melbourne, 2016
Painting. More Painting *
Max Delany, Annika Kristensen & Hannah Mathews (eds.), Painting. More Painting, Australian Centre for Contemporary Art, Melbourne 2016
Andy Warhol | Ai Weiwei
Max Delany & Eric Shiner (ed.s), Andy Warhol | Ai Weiwei, National Gallery of Victoria and Yale University Press, Melbourne and Yale, 2015; with texts by Max Delany, Eric Shiner, John Tancock, Caroline A. Jones, Gao Minglu, John J. Curley, Anna Poletti, Kathryn Weir, Larry Warsh, Matt Wrbican
David Shrigley: The Life Model
Max Delany & Serena Bentley (eds.), David Shrigley: Life and Life Drawing, National Gallery of Victoria, Melbourne, 2013; with texts by Max Delany, Serena Bentley, Justin Clemens, Kieran Cox, Jess Johnson, Anastasia Klose, Chris Kraus, Justin Paton, Laure Prouvost, Lisa Radford, Will Self